[i]The authors attribute this method of composition to the cubist works of art, as compared to the integrity of the figures and of the fond in the traditional painting, and especially to the buildings designed by Le Corbusier, in modernist architecture. Here, I tried to use this criterion (understood especially as spatial composition that allows the simultaneous reading of more systems of appurtenance and arrangement) for the sake of an analysis of the limits between the interior space of a construction and the urban space.

[ii]The reasons of crystallisation of a certain urban form have their fair share of emphasis. The time-honoured cliché concerning Bucharest?s charm, owed to a ?free? development, serves one too many times for justifying the brutal implants of some architectural objects in the urban tissue. For further study of the legislation and of its consequences on Bucharest?s evolution, see: N. Lascu (1997).